Architectural Branding Essay Example for Free

Architectural Branding Essay The 4P’s have been extended to 7P’s namely: Price, Place, Promotion, People, Physical Evidence and Process. Architectural Branding is an important element of Physical Evidence very strongly prevailing in International Brands e. g. Calvin Klein, Nike town, DG, Prada etc. With the changing Indian Market scenario and customer awareness Indian Brands have now realised to incorporate the culture of Architectural Branding as an important brand element. Possibly Brands like Colour Plus, Wills Lifestyle, Sepia also are trying to incorporate the concept of Architectural Banding. Therefore through an exploratory research on the related topics of branding it was felt that architectural branding will help us in the long run in the industry and would widen our horizon of knowledge. Down the line I felt that this concept would be taught to us in our course curriculum of Fashion Management. Through this topic of Architectural Branding we would get to learn about basics of Architecture, Interior Design and Design Space and relating these subjects to the Market Research and Consumer Behaviour. Information Needed ? Introduction to Architectural Branding Concepts of Architecture †¢ Material †¢ Types of Structure ? Architecture in Retail †¢ Exteriors †¢ Interior Design †¢ Store Layout, Design

Life And Work Of Barbara Baer Capitman History Essay

Life And Work Of Barbara Baer Capitman History Essay Barbara Baer Capitman, whose vision and persistence helped to turn a rundown area of Miami Beach into a vibrant Art Deco historic district, died of congestive heart failure on Thursday at Mount Sinai Medical Center in Miami Beach. She was 69 years old and suffered from diabetes and heart tremors. Ms. Capitman, who had lived in Miami since 1973, applied her talents to arouse renewed interest in 1920s and 1930s buildings throughout the country. Radio City Music Hall and the Chrysler Building are among the best examples of Art Deco. My whole life had been Art Deco, she once said. I was born at the beginning of the period and grew up during the height of it. Its a thing of fate. Headed a Preservation League In 1976 she helped to found the Miami Design Preservation League, which in 1979 won Federal historic designation for the South Beach district of Miami Beach. Her outspoken, unorthodox manner later led to her ouster from the group. She would push and agitate and cause trouble until people wouldnt speak to her, said Michael Kinerk, chairman of the Art Deco Weekend festival. She was interested in results, not social sensitivities. The South Beach district is now on the National Register of Historic Places, the only 20th-century district on the register. That status brought Federal tax relief to what had been a depressed area. It is now enjoying an economic and cultural rebirth. Chapters in Other Towns Mrs. Capitman, president of the Art Deco Society of America, helped found chapters of the society in several cities, including New York, Washington, Chicago, San Francisco and Los Angeles. She was the author of Deco Delights (1989; E. P. Dutton). She was born in Chicago and attended New York University. She later wrote advertising copy and was a reporter for The Atlantic City Daily World, which has ceased publication. Her husband, William Capitman, died in 1975. He was a market researcher and economist and in later years a teacher at Florida International University. Mrs. Capitman leaves two sons, Andrew W., who lives in London, and John A., who lives in Cambridge, Mass., and four grandchildren. Barbara Baer Capitman, the intrepid little old lady credited with saving Miami Beachs colorful Art Deco district made famous on the hit television series Miami Vice, has died in the city she sought to preserve. She was 69. Mrs. Capitman, who suffered from diabetes and heart problems, died Thursday at Mt. Sinai Medical Center in Miami Beach, according to hospital spokesman Arthur Ehrlich. She was president of the Art Deco Society of America and had organized chapters in cities around the country, including Los Angeles, to preserve the decorative arts style of architecture popular between the two world wars. Although somewhat more whimsical in Miami, the style is exemplified by the Chrysler Building and Radio City Music Hall in New York City and the old Pan Pacific Auditorium and the Times building in Los Angeles. At the time of her death, Mrs. Capitman was putting together the first World Congress on Art Deco and working on a book, Art Deco U.S.A. Last year she published a book about Miami Beachs 1930s hotels and other Art Deco buildings called Deco Delights. Mrs. Capitman became a preservationist in 1975 as a means of making new friends after the death of her husband, William, at 53. She attributed her quavery voice, which her detractors frequently mimicked, to the shock of his death. Within four years, despite opposition by the Miami Beach city manager and Chamber of Commerce, Mrs. Capitman and her Design Preservation League won listing of the mile-square district on the National Register of Historic Places, providing federal tax incentives for restoration. The area is the only district with 20th-Century architecture in the register. It was a tremendous achievement by one personone little old lady, said her son Andrew. Barbara Capitman deserves her reputation as the indomitable champion of the Art Deco treasures of Miami Beach, said billionaire investor Robert Bass, chairman of the National Trust for Historic Preservation. The districts 800 or so buildings, designed in the 30s to look like ocean liners or rocket ships or even bonbons to take vacationing Americans minds off the Depression, are the focus of Miami Beachs annual Art Deco Weekend festival, which draws about 400,000 people. In Saving South Beach, historic preservation clashes with development as each side vies for control of South Beach. A spectrum of characters are present, from Barbara Baer Capitman, the ailing middle-aged widow who became an evangelist for the Miami Beach Art Deco district, to Abe Resnick, the millionaire Holocaust survivor determined to stop her. From pioneers to volunteers, from Jewish retirees to Cuban exiles, from residents and business owners to developers and city leaders, each adds another piece to the puzzle, another view of the intense conflict that ensued. Although a number of the areas iconic buildings were demolished, the Miami Design Preservation League succeeded in entering almost half of the neighborhood into the National Register of Historic Places, kicking off a revitalization effort that spread throughout South Beach. Preservationist M. Barron Stofik lived in Miami during this turmoil-ridden period and, through hundreds of interviews and extensive investigation, weaves together dramatic themes of civic heroism, preservation, and cultural change in the passionate human story behind the pastelfacades and neon lights. Barbara Capitman is our 2010 Woman In History Honoree She was born in Chicago and attended New York University.   In her early years she was a reporter for The Atlantic City Daily World and was an advertising copywriter.   When she moved to Miami in 1973, she used her literary skills to help stimulate interest in 1920à ¢Ã¢â€š ¬Ã‚ ²s and 1930à ¢Ã¢â€š ¬Ã‚ ²s Art Deco buildings throughout the country. Much of South Beachs buildings were neglected and abandoned at the time, but Barbara Capitman was a visionary thinker and was greatly inspired by finding the worlds largest concentration of Art Deco architecture. In 1976 she helped found Miami Design Preservation League (MDPL) and led a highly criticized fight to save Miami Beachs Art Deco architectural buildings.   Miami Design Preservation League finally won its landmark battle on May 14, 1979, and the Art Deco District was added to the National Register of Historic Places.   It was the first time a 20th century district was recognized as Historic by the U.S. government. This act brought federal tax relief to the depressed area, and South Beach began to show signs of economic and cultural growth.   One by one, the abandoned buildings were restored into vibrantly colored Art Deco works of art which almost immediately became backdrops for International fashion catalogues, films and television shows; and suddenly models, celebrities, and photographers began to flock to the new pastel playground. Art Deco is the heart and soul of South Beach, and Miami Design Preservation League carries forth its spirit, says Miami Beach Mayor Matti Herrera Bower. Our communitys success story is a tribute to MDPLs championing our historic district. Preserving the communitys architecture, character and integrity led the way to the  economic and cultural revival we all benefit from today. The League was the worlds first Art Deco Society and Capitmans efforts led to the formation of Art Deco preservation groups throughout the United States, Europe, Latin America, Australia and New Zealand. Barbara also hosted a radio show and authored the books Art Deco Trademarks, Rediscovering Art Deco U.S.A. and   Deco Delights Preserving Miami Beach Architecture. Barabara Capitman died twenty years ago in March 1990 but her indelible mark on South Beach history will never be forgotten.   WE are proud to name Barbara Baer Capitman our 2010 Womens History Honoree and have asked early preservationist to come and share a few memories about her and the preservation of the Art Deco District. Perhaps the next time you walk down Ocean Drive you will think of Barbara.   WE invite you to visit the new Miami Design Preservation Leagues ART DECO WELCOME CENTER located on Ocean Drive at the corner of Barbara Capitman Way (10th St) and we hope it inspires you to join in the Preservation Movement that continues in South Beach and surrounding communities.   Click the link below if you would like to make a $50 Donation to MDPL help preserve the memory of the woman who led the fight to preserve our community.   Your donation will include a 1 Year Membership to MDPL and a contribution to The Barbara Capitman archives. August 1976 The Miami Design Preservation League (MDPL) was formed through the efforts of Barbara Baer Capitman and her son John Capitman. The initial impetus was to find a project to honor the United States bicentennial; the Capitmans worked with designers Leonard Horowitz and Lillian Barber to identify a concentration of 1930s buildings in South Miami Beach that the group felt could be a historic district of 20th century architecture. December 1976 MDPL held its first large-scale public meeting, dubbed the Design Forum. May 6, 1977 MDPL was incorporated by the State of Florida. Officers were: Barbara Baer Captiman, President; David Gell, Secretary; Jerry Peters, Treasurer; and Howard M. Neu, Vice President. September 1977 Art Deco Number of Night and Day magazine highlights the goals and accomplishments of MDPL. October 13-19, 1978 Art Deco Week organized by MDPL. The festival was held at and around the Cardozo Hotel on Ocean Drive. Barbara Capitman created the event as a showcase for the Art Deco section of Miami Beach hoping to attract both locals and tourists to the area which was comprised of an elderly population living on fixed income, many living at the poverty level. December 12, 1978 By-laws of MDPL were amended and submitted to State of Florida. Barbara Baer Capitman, David J. Gell and Carl Weinhardt, Jr. were authorized to execute the Articles as subscribers and Andres Fabergas and Michael Kinerk, president and secretary, respectively, were authorized to execute the declaration. Chairperson, Barbara Baer Capitman; President, Andres Fabregas; Vice President, Leonard Horowitz; Secretary, Michael D. Kinerk; Treasurer, Jose Madrazo; Board members besides officers: Jerald Goodman, Claire Major, Joy Moos, Karolyn Robinson, Sol Schreiber, Landon Thorne III, Carl J Weinhardt, Jr., Mitchell Wolfson, Jr. May 14, 1979 The Miami Beach Architectural Historic District (popularly known as the Art Deco District and Old Miami Beach) was listed on the National Register of Historic Places. It was the nations first 20th century Historic District. July 1979 Portfolio of the Art Deco Historic District was published by MDPL with funding from the National Endowment for the Arts (NEA.) Barbara Capitman, editor; Diane Camber, Assistant Editor; Bill Bucolo, Managing Editor; photographic essay by David Kaminsky; articles by Carl J. Weinhardt, Jr., Karalyn Robinson, Barbara Capitman and Andrew Capitman. September 1979 The Art Deco District: Time Present Time Past, a magazine with articles on various aspects of Art Deco, was published by MDPL. March, 1980 Andy Warhol, world-famous artist and one of the pioneering Art Deco collectors, called the MDPL office in March 1980 and asked if someone would show him the Art Deco buildings in Miami Beach. An appointment was made, Warhol arrived from New York and he was given a top to bottom tour led by MDPL founder, Barbara Baer Capitman and Diana Camber the Executive Director of MDPL, now Director of the Bass Museum of Art. This event was widely covered by the news media and gave our new historic district a stamp of approval from an art-world celebrity. April 1980 The Boulevard Hotel, at 775 Dade Boulevard, was demolished. January 1981 The Anderson-Notter-Finegold plan for the Miami Beach Architectural Historic District was completed (the plan was never adopted). January 7, 1981 The New Yorker Hotel (Henry Hohauser, 1939), at 1611 Collins Avenue, was demolished. Despite sustained protests from preservationists, the hotel was destroyed by owners Abe Resnik, Dov Dunaesvsky, and Isaac Fryd. The hotel, which many consider to be Hohausers most successful design, awakened the community to the need to enact local legislation to protect properties listed on the National Register. The hotels faà §ade was later used in the new logo of the Miami Design Preservation League; the New Yorkers lot stood vacant for many years and is now occupied by the northern-most portion of the Loews convention center hotel. February 1981 Adoption of the first Dade County Historic Preservation Ordinance, which required municipalities to adopt Historic Preservation Ordinances by July 1982. February 4, 1981 City Commission adopted Resolution No. 81-16551 requesting exemption from County Historic Preservation ordinances. 1981 MDPL founders Barbara Baer Capitman and Leonard Horowitz took a cross-country trip to discover Art Deco architecture in major U.S. cities. The trip spurred the development of Art Deco societies in many of the cities, and Capitman began to be referred to as the Johnny Appleseed of Art Deco. 1981-1982 MDPL worked to protect historic buildings by encouraging local historic designation on the National Register District. April 2, 1982 First meeting of Mayors Ad Hoc Committee to draft and review a Historic Preservation Ordinance for Miami Beach. June, 1982 Miami Beach Art Deco District: Time Future was published by Community Action and Research under the auspices of MDPL. The booklet, edited by Paul A. Rothman and Barbara Capitman with graphic design by Woody Vondracek, summarized the Anderson Notter Finegold plan for the Art Deco Historic District and lobbied for its adoption by the City of Miami Beach. June 16, 1982 The first Miami Beach Historic Preservation Ordinance, No. 82-2318, was adopted; it contained 100 percent owner consent provision. September 23, 1982 The Dade County Historic Preservation Board found the Miami Beach Ordinance not in compliance with county requirements. October 20, 1982 The City Commission appointed the first Historic Preservation Board. January 31, 1983 The U.S. Department of the Interior found the Miami Beach Ordinance to be in compliance with National Register standards for local governments. April 20, 1983 Ordinance No. 83-2367 amended Historic Preservation Ordinance No. 82-2318, changing owner consent from 100 percent to 51 percent required for designation. May 4-7, 1983 The Art Deco District came to the attention of the art world as a result of Surrounded Islands, an installation by artists Christo and Jeanne-Claude in which a series of 11 islands in Biscayne Bay were wrapped in pink fabric. During the installation, the artists established their headquarters in the Art Deco District. August 15, 1983 Dade County and others filed a lawsuit to invalidate the Miami Beach Historic Preservation Ordinance. October 5, 1983 The City Commission adopted Ordinance No. 83-2388 designating the Old City Hall building as the citys first Historic Preservation Site. February 1, 1984 The City Commission adopted Ordinance No. 84-2402 designating the 21st Street Community Center a Historic Preservation Site. April 4, 1984 The City Commission adopted Ordinance No. 84-2405 creating a Design Review Board. 1984-1989 The Art Deco District achieved worldwide recognition as a result of the hit television show Miami Vice, starring Don Johnson and Philip Michael Thomas. The show used the Art Deco District as a backdrop in many of the episodes. February 6, 1985 The City Commission adopted the Ocean Drive plan containing recommendations for local Historic District designation. March 20, 1985 The City Commission adopted Ordinance No. 85-2470 eliminating the owner consent provision from Historic Preservation ordinances. October 16, 1985 The City Commission adopted the Espanola Way plan containing a recommendation for local Historic District designation. 1985 Renowned fashion photographer Bruce Weber chose Miami Beachs Breakwater Hotel for a photo shoot for an ad for Calvin Kleins Obsession, spurring an onslaught of fashion photography shoots in the Art Deco District. July 23, 1986 The City Commission adopted Ordinance No. 86-2511 designating the Espanola Way District and the Ocean Drive/Collins Avenue District as Miami Beachs first Historic Preservation districts. These ordinances were adopted after significant grassroots efforts by MDPL. 1986 Our Driveà ¢Ã¢â€š ¬Ã‚ ¦Ocean Drive was a joint campaign by MDPL and its sister organization, the Miami Beach Development Corporation (MBDC), now renamed the Miami Beach Community Development Corporation (MBCDC). As a result, a $3 million bond package was approved to fund the widening of the sidewalk on the west side of Ocean Drive, allowing hotels to establish sidewalk cafes. On the east side of the street, a wide promenade was created along the wall separating Lummus Park from the beach. 1986-1988 MDPL campaigned for local designation of the entire National Register District and revisions to the zoning codes to make them more compatible with historic preservation. MDPL started the SOS (Save Our Senator) campaign to prevent demolition of the Senator Hotel. Although the hotel was demolished (see May 3, 1988), MDPLs efforts delayed demolition for more than a year. The public outcry that MDPL created resulted in the City Commission passing a strengthened local preservation ordinance that could prevent demolition. 1987 The Biscaya Hotel (1925), at 650 West Avenue, was demolished. MDPL mounted an unsuccessful campaign to save the hotel, originally the Floridian Hotel and the last remaining example of the grand bayside hotels. May 6, 1987 The City Commission adopted Ordinance No. 87-2665 designating Altos del Mar a Historic Preservation District. January 1988 The Poinciana Hotel (Albert Anis, 1939), at 1555 Collins Avenue, was demolished. February 3, 1988 The City Commission adopted Ordinance No. 88-2598, strengthening the demolition section of the Historic Preservation Ordinance. May 1988 Miami Beach Art Deco Guide was published by MDPL. The guidebook, written by Keith Root with editorial assistance by Dr. Ernest Martin and Michael Kinerk, contained six self-guided walking tours of the Art Deco District. May 3, 1988 The Senator Hotel (L. Murray Dixon, 1939), at 1201 Collins Avenue, was demolished. June 1988 Deco Delights: Preserving the Beauty and Joy of Miami Beach Architecture, written by MDPL founder Barbara Baer Capitman, was published by E.P. Dutton. June 1, 1988 The City Commission adopted Ordinance No. 88-2616 placing the Architectural District under Design Review jurisdiction. April 5, 1989 The City Commission adopted Ordinance No. 89-2637 designating the Venetian Causeway (1926) a Historic Preservation Site. September 7 21, 1989 The City Commission nominated the Flamingo and Museum neighborhoods for Historic Preservation Districts designation. The Museum area was nominated as a local historic district or collection of historic sites depending on the findings of the Historic Preservation Board. March 30, 1990 Barbara Baer Captiman dies of congestive heart failure. An advocacy program attempts to influence public policy and public actions in a direction consistent with a groups mission. MDPLs advocacy program is guided by its advocates aim to act consistently with MDPLs mission statement: Miami Design Preservation League (MDPL) is a non-profit organization devoted to preserving, protecting, and promoting the cultural, social, economic, environmental and architectural integrity of the Miami Beach Architectural Historic District and all other areas of the City of Miami Beach where historic preservation is a concern. The MDPL Advocacy Committee suggests these priorities for MDPL advocacy activities: Preserve and protect the historical and architectural integrity of the Miami Beach Architectural District, both of its individual buildings and of the district as a whole; Support the historic preservation process put in place by the City of Miami Beach and the Citys enforcement of the outcomes of that process in any area where historic preservation is a concern. Propose and support changes in the Citys historic preservation process and land use policies when necessary to carry out and fulfill the mission statement; Propose and support changes in Florida and national policy when necessary to carry out and fulfill the mission statement; Preserve and protect historical, architectural, and environmental resources in other areas of Miami Beach, especially when designated as local historic districts by the City of Miami Beach, but including any area where historic preservation is a concern. Act to support residents and property owners, in current and potential historic districts, when citizens act to preserve, protect and promote the historic, architectural, cultural, social, economic, and environmental integrity of any area where historic preservation is a concern. Miami Beachs building boom came during the second phase of Art Deco known as Streamline Moderne, which began with the stock market crash and ended in most cases with the outbreak of World War II. It was less decorative-a more sober reflection of the Great Depression. It relied more on machine-inspired forms, and American ideas in industrial design. It was buttressed by the belief that times would get better and was infused with the optimistic futurism extolled at Americas Worlds Fairs of the 1930s. Stripped Classic or Depression Moderne was a sub-style often used for governmental buildings, the U.S. Post Office being the best example in Miami Beach. Miami Beach architects used local imagery to create what we now call Tropical Deco. These buildings feature relief ornamentation featuring whimsical flora, fauna and ocean-liner motifs to reinforce the image of Miami Beach as a seaside resort. Art Deco What to look for Over-all symmetry, ziggurat (stepped) rooflines, glass block, decorative sculptural panels, eyebrows, round porthole windows, terrazzo floors, curved edges and corners, elements in groups of three, neon lighting (used in both exteriors as well as interior spaces). However, there really are three predominate architectural styles found in the Art Deco District: When our tour guide revealed yesterday that the person most responsible for saving Miami Beach Art Deco buildings from the wrecking ball of capitalist progress was a Communist Jew from New York, my first reaction was surprise and delight. But after a moment it sunk in that this was just what I might have suspected. When it comes to looking after the long-term interests of society, whether it is cultural heritage or climate change, you have to rise above the profit motive and who better to assume this role than the Red. In 1948 the 28 year old Barbara Capitman met her future husband Will at a May Day party sponsored by the Young Communist League in N.Y. She was the only child of a sweater-importing father and a mother who was a sculptor and painter. When Will graduated from NYU law school in 1951, he was blocked from passing the bar because of his YCL past. So instead he made a living teaching business and marketing at Harvard and Yale. In 1973 he got a tenure track position at the Florida International University business school and the two moved to Coconut Grove, Miamis version of Greenwich Village. Two years later he died from pancreatic cancer and Barbara was on her own. After moving to Miami Beach, Barbara ran into Leonard Horowitz, a doorman at a luxury condo who was gay and an aspiring artist/designer. They became close friends after meeting and soon discovered a shared commitment to the preservation of Art Deco buildings. The two formed a committee to save the old buildings now falling into disrepair that relied heavily on donations from gay people and senior citizens. Within 3 years, they managed to have over half of South Beachs Art Deco hotels covered by landmark preservation laws. Leonard Horowitz died of AIDS in 1988. The hotel we are staying at is between 10th and 11th streets on Ocean Drive and 11th street has been renamed Leonard Horowitz Drive. Barbara Capitman died two years later. The NY Times obit noted: In 1976 she helped to found the Miami Design Preservation League, which in 1979 won Federal historic designation for the South Beach district of Miami Beach. Her outspoken, unorthodox manner later led to her ouster from the group. She would push and agitate and cause trouble until people wouldnt speak to her, said Michael Kinerk, chairman of the Art Deco Weekend festival. She was interested in results, not social sensitivities. I would say that no social change takes place without people who are outspoken and unorthodox. The fact that she was interested in results rather than social sensitivities should not be lost on those leftists who are reluctant to take on the status quo. In the April 27 1982 Village Voice, Alexander Cockburn hailed Capitman as a true heroine. He quoted her on the Art Deco district: At night when the full moon is overhead, the residential streets of the Art Deco district take on that stagey, solemn simplicity of another era. Moonlight and neon articulate the stripes and circles of the small apartments on Euclid or Jefferson and the swaying palms cast shadows on the curving walls. This is the night world that Thomas Wolfe wrote of in the 1930s-the decade of our districts revival-nights filled with the far-hooting of trains, the nearer sounding of great vessels moving into port, the mysterious rustling of treesà ¢Ã¢â€š ¬Ã‚ ¦ Cockburn noted that Capitman was not able to defend all of Miami Beach from the assault of real estate developers. The South Beach area remains unsullied but the middle and northern parts of the island have succumbed to the forces Cockburn describes as follows: The forces of darkness gathered their nerve, and finally, in 1981 tore off their whiskers and pounced. Anyone who wants to see what might happen to the Deco Square Mile need only glance north of 23rd Street, where architectural barbarism is on the rampage and the condomaniac, behemothic tide marches down via the Fountainbleau and other signposts of Babylon. Cockburn concludes his article by saying that if the real estate developers had their way, the northern sector of South Beach would succumb and the result would be equivalent to the permanent submersion of substantial portions of Venice. Ironically, Art Deco was an attempt to apply the aesthetic of Russian Constructivism and Italian Futurism to architecture. These art movements were in themselves attempts to approximate the forms of machinery to fine art in the spirit of a modernization stripped of nostalgia for the past. The products of that age now are threatened by the relentless march of capitalist modernization which will result in the leveling of all that is beautiful and its replacement by shopping malls and Walmarts. It is to the credit of people like Barbara Capitman, someone who presumably would have read the Communist Manifesto at some point in her life and who would have absorbed Marxs breathless evocation of the bourgeoisies most revolutionary role, to draw a line in the sand and tell this bourgeoisie to get fucked. Anyone who knew the late Barbara Capitman was bowled over by her undying devotion to Art Deco Miami Beach. A founder of the Miami Design Preservation League, Capitman led the battle to have a large swatch of the Beach listed as an historic district in the National Register of Historic Places the first such district made up of 20th-century buildings. This book is her memorial. Tropical Deco: the Architecture and Design of Old Miami Beach, by Laura Cerwinske, David Kaminsky (Photographer). (Rizzoli, 1982.) Barbara Baer Capitman, born in 1920, founded the Miami Design Preservation League (MDPL) which started the Miami Beach Art Deco preservation movement. She led in the formation of the Miami Beach Architectural Historic District, the nations only Art Deco district to be listed in the National Register of Historic Places. Her efforts to protect Art Deco architecture led to the founding of Art Deco societies in San Francisco, Chicago, Washington, D.C., Boston and New York. Capitman was also the founder of the World Congress on Art Deco. She was the author of three books: American Trademarks, Deco Delights and Rediscovering Art Deco U.S.A. In 1993 The Miami Herald named her one of the 100 most important people in the history of South Florida. Barbara Baer Capitman died in 1990. Her Great Floridian plaque is located at the Cardozo Hotel, 1300 Ocean Drive, Miami Beach. http://www.flheritage.com/services/sites/floridians/?section=m

Do People Who Are Trafficking Human Organs Help Other People? Essay

Do People Who Are Trafficking Human Organs Help Other People? (The Guardian, 2012), Denis Campbell and Nicola Davison, says that the unlawful business in human organs special kidneys has advanced quickly and unexpectedly. The reasons why selling kidneys has advanced quickly is that nowadays many countries have wars so there are many poor people who need money to live a good life. Also, after wars, there are many sick people that felt desperation because they lost their organs in the war and no one donated to them, so they needed to buy organs to stay alive. Other reason is because people have two kidneys so when they sell one kidney for important reasons, they won’t die. Most countries punish those people who sell their organs that is why in those countries there are many illegal trafficking of human organs, but in some countries trafficking human organs is legal like Iran. People who are trafficking human organs help other people to live a good life, also help sick people to feel healthy again and not to die. The desperation of many peo ple needing transplantation surgery and the poverty of many people with healthy organs often results in the trafficking of human organs. It’s a trade where the two persons win, because trafficking human organs help many poor people who don't have money to buy food or clothes by selling their organs that they can live without for money to the sick people who need this organ to stay alive. Selling organs can help the sick person to stay alive and give the poor person money to help his family from humiliating life. I read something posted on (ALL THINGS PAKISTAN blog, 2007) about a poor Pakistani guy who holds with his hand a paper with a sign that says â€Å"Would you buy my kidney please?.† I think ... ...can help many people. References All things pakistan blog. In (2007). Retrieved from http://pakistaniat.com/2007/10/17/would-you-like-to-buy-my-kidney-please/ Caplan, A. R., & Arp, R. (eds.) (2013). Contemporary debates in bioethics. Hoboken, NJ, USA: John Wiley & Sons. Retrieved from http://books.google.com.kw/books?id=-RsoAAAAQBAJ&dq=how much does the middle man make trafficking organs&source=gbs_navlinks_s Denis, C., & Davison, N. (2012). The guardian. In Shanghai : Retrieved from http://www.theguardian.com/world/2012/may/27/kidney-trade-illegal-operations-who Gross, R. (2008). Noblesse oblige blog. In Retrieved from http://noblesseoblige.org/2008/01/12/egyptian-man-sells-wives-kidney-on-black-market/ Parry, W. (2012). How poverty, false promises, fuel illegal organ trafficking. In Retrieved from http://www.livescience.com/19237-illegal-kidney-organ-trade.html Do People Who Are Trafficking Human Organs Help Other People? Essay Do People Who Are Trafficking Human Organs Help Other People? (The Guardian, 2012), Denis Campbell and Nicola Davison, says that the unlawful business in human organs special kidneys has advanced quickly and unexpectedly. The reasons why selling kidneys has advanced quickly is that nowadays many countries have wars so there are many poor people who need money to live a good life. Also, after wars, there are many sick people that felt desperation because they lost their organs in the war and no one donated to them, so they needed to buy organs to stay alive. Other reason is because people have two kidneys so when they sell one kidney for important reasons, they won’t die. Most countries punish those people who sell their organs that is why in those countries there are many illegal trafficking of human organs, but in some countries trafficking human organs is legal like Iran. People who are trafficking human organs help other people to live a good life, also help sick people to feel healthy again and not to die. The desperation of many peo ple needing transplantation surgery and the poverty of many people with healthy organs often results in the trafficking of human organs. It’s a trade where the two persons win, because trafficking human organs help many poor people who don't have money to buy food or clothes by selling their organs that they can live without for money to the sick people who need this organ to stay alive. Selling organs can help the sick person to stay alive and give the poor person money to help his family from humiliating life. I read something posted on (ALL THINGS PAKISTAN blog, 2007) about a poor Pakistani guy who holds with his hand a paper with a sign that says â€Å"Would you buy my kidney please?.† I think ... ...can help many people. References All things pakistan blog. In (2007). Retrieved from http://pakistaniat.com/2007/10/17/would-you-like-to-buy-my-kidney-please/ Caplan, A. R., & Arp, R. (eds.) (2013). Contemporary debates in bioethics. Hoboken, NJ, USA: John Wiley & Sons. Retrieved from http://books.google.com.kw/books?id=-RsoAAAAQBAJ&dq=how much does the middle man make trafficking organs&source=gbs_navlinks_s Denis, C., & Davison, N. (2012). The guardian. In Shanghai : Retrieved from http://www.theguardian.com/world/2012/may/27/kidney-trade-illegal-operations-who Gross, R. (2008). Noblesse oblige blog. In Retrieved from http://noblesseoblige.org/2008/01/12/egyptian-man-sells-wives-kidney-on-black-market/ Parry, W. (2012). How poverty, false promises, fuel illegal organ trafficking. In Retrieved from http://www.livescience.com/19237-illegal-kidney-organ-trade.html

Animation Essay -- essays research papers fc

Animation My personal enjoyment with animation has inspired me to write this essay, pertaining to animation. Since I was a child I have been fascinated with cartoons; from when they started out to be black and white, and until now with full colour and computer effects. To better perceive what my personal feelings about animation are, I must first discuss in full detail, a general overview of how animators bring traditional animation alive with motion. Animation seems like a smooth movement of drawn sequences of artwork, pasted together to form a single sequence of animation. This is the basis of animation, but animation is far simpler than it may seem. "The true meaning of animation is that it is a series of drawings strung together to create the illusion of smooth fluent movement."1 But the process of creating this so- called illusion, is a pain staking process during which artists must spend tremendous hours of agony to produce only seconds of animated film. Before an animator goes about creating an animation he or she must have the knowledge of several rules of animation, which animators around the world follow. The first rule of animation is that an animator must hold the understanding of the techniques used to produce single cells of animation. Second rule, and one of the most important ones is that, the animator must have great patience, so that his or her piece of artwork is not rushed, to prevent the animation from looking choppy and not as smooth as it should look. Finally what is required from an animator is "it takes commitment and effort to make the basis of animation come alive with fresh ideas."2 The following is not a rule of animation, but is often taught to animators around the world. "Animators were often taught that animation is only limited by the imagination and skills of its creators."3 Using these rules animation companies hire artists who are familiar with the rules previously discussed, but to create a feature full-length animation you need more than just these rules. Below the process of creating a feature full-length animation will be discussed in further detail. To create a traditional animation requires a team of cooperative artists and editors. It also demands a collective, c... ...r generated graphics and animation, I believe that the true admirers of the art of animation will always have a nostalgia for the techniques first used by the pioneers of animation. Reference 1.Compton's Encyclopedia, 1991 edition, Vol.3, "Cartoons." 2.Randy McCallum, Cinemation (British Columbia: Motion Works Inc., 1992), p. 19. 3.ibid., p. 23. 4.Edward Desmond, "Beyond Mickey Mouse," Time (Nov.1.1993), p. 32. 5.Toolworks Encyclopedia, 1992 edition, CD ROM, "Animation." 6.ibid., CD ROM. 7.Compton's Encyclopedia, 1991 edition, Vol.3, "Cartoons" 8.Toolworks Encyclopedia, 1992 edition, CD ROM, "Animation." Bibliography 1.Brown, Robert. "Cartoons." Compton's Encyclopedia, (1991), Vol.3, pp. 163-165. 2.Desmond, Edward W. "Beyond Mickey Mouse." Time, Sept.27,1993, pp. 42-47. 3.Elmer, Philip. "Video Game Boom." Time, Nov.1,1993, pp. 16-20. 4.McCallum, Randy. Cinemation. British Columbia: Motion Works Inc., 1992, pp. 1- -193. 5.Redmond, John R. "Animation." Toolworks Encyclopedia, (1992), CD ROM. 6.Young, Harvill. "3D Imaging Technology." MacWorld, Sept.1,1992, pp. 276-285.

Eddie in Blood Brothers Essay

Eddie and Mickey were born from the same mother Mrs. Johnston, but they have extremely different lives. They were identical twins; they look exactly the same. But Mrs. Lyons separated them and made them have a different life. From then on, one of them, Mickey stayed with Mrs. Johnston lives in a big, poor family and the other one who was taken by Mrs. Lyons became very rich and got everything. They have been in a different world because of many factors surrounding them to rich or poor from the moment they have been born. I think the most influential factors are the family they have got and the family classes different. The different kind and level of education they have got did also influence them much. Also, the religion of the family is one of the factors that affect the life of the child as well. Different thing has different amount of influence to Mickey and Eddie’s life. I am going to discuss the factors one by one. The social context is messy at the time between late 70s and early 80s that the play was set. It is called recession. Margaret Thatcher is the Prime Minister; she encouraged people to make lots of money. As a result, the rich people in middle or upper class can earn much money but the poor people in working class lost their jobs. Life is very hard for working class, as they get poorer without a job. Mickey’s family is suffered from this social climate. His family is poor. Unlike Eddie, his family is in middle class, he is rich. They have a great contrast in their life because the classes are different. Marilyn Monroe is the social icon of the day at that time. She is very glamorous, rich and she represents a life of fantasy. Everyone wants to be her. We know that from the book on p. 14, Act 1, Scene 1, it said â€Å"He told me I was sexier than Marilyn Monroe†, which is about Mr. Johnston said her wife was sexier, lovelier than Marilyn Monroe. It shows the value of that time. But that is what totally different from Mickey. Mickey is poor; he dressed scruffy. He lives in council house and his family is working class. He does not have money to buy everything he wanted. But Eddie, he is rich, he has got new clothes, and he looks smart. He lives in private house and his family is middle class. They are exactly the same, but the way of living is really different with one of them is living in a rich environment and another lives in a poor world. This is how the classes different influence their life. The size and people in their family have also influenced them. Mickey has a big family with 7 brothers and sisters. The speech of the mother in p. 14, Act 1, Scene 1, told us about that. She said: † Seven hungry mouths to feed and one more nearly due. † Mickey is the youngest in the family; he has to fight for food and everything with the elder brothers and sisters. Therefore, he needs to grow up fast and look tough to protect himself in case of beaten up by others. He also wants to his elder brother Sammy because he wants to get older so he can do everything he loves. We can see how much he wants to be Sammy in the book on p. 30, Act 2, Scene 1, he has repeated the sentences – â€Å"I wish I was our Sammy. â€Å"- for five times. He does everything Sammy did; however, Sammy was not a good example for Mickey to learn. So Mickey becomes a joker and streetwise since he has got influenced by his brother Sammy. The family of Eddie, we know that he is the only child in his rich family and they are in middle class. He lives with his mum only most of his life. We don’t know much about Eddie’s father because the book does not mention about him much. Mrs. , Lyons, Eddie’s mother, loves her son very much. She gives him a good shelter, gives him everything he wanted. This makes very weak and soft and he will not know the hardship of the working class since life is easy for him. Time ran through quick by dramatic devices in the book. We can see how much difference between Mickey and Eddie over a long period. At first, when they are born, they are not much different from each other in either class or education. But when they are at the age of 17, Mickey is dropped out from school and on the other side Eddie was going to University. Then, when they both go to work, Mickey loses his job and Eddie is the boss of a factory. The education level made them have such a big difference. Mickey is poor educated as he left school when he was 17. He was study in government school. Normally, there is nothing bad to study in government school. But compare to Eddie, Eddie was study in private school, he was well educated. He could use a dictionary at the age of seven while Mickey do not even know what a dictionary is. We knew that from the conversation between Mickey and Eddie. Eddie said, â€Å"I shall look it up in a dictionary. † from p. 33, Act 2, Scene 2. From the speech of the narrator at p. 56, Act 4, Scene 1, we know Mickey and Eddie are getting older as they are 18. This is the job of narrator to take us through time and speed things up. Eddies goes into a University straight after he left his college but at that time Mickey was already dropped out from the school and working in a factory. Then, Eddie got a job, which is the boss of the factory, straight after he finished his studying. By that time Eddie becomes really powerful and rich but the other one, Mickey, is just a worker in a factory! They are identical twins but we can see how education makes them go into a different life. Superstition is one of the influences. Mrs. Johnston is very superstitious as we can see from the several events from the book. On p. 18, Act 1, Scene 3, Mrs. Lyons put a pair of new shoes on the table then Mrs. Johnston saw it and tell her never do this. This is a superstition thinking that something had will happen to you, which you will never notice. This shows that Mrs. Johnston is superstitious. I believe that she believes in religion. And this makes Mickey kind of superstitious as well. He believes what ‘blood brother’ is. On the other side, I don’t think Mrs. Lyons has any religion at all. She does not respect Mrs. Johnston and always use the weakness of Mrs. Johnston, that she is superstitious, to coerce her into doing something. At first Eddie does not believe any superstition things but Mickey influences him. He admires Mickey and everything Mickey does. He likes Mickey and wants Mickey likes him as well. On p. 32, Act2 2, Scene 2, we know Eddie gives sweets to Mickey. This reflected he is eager to please. Eddie used to don’t know much about colloquial until Mickey told him. He thought everything Mickey said was smashing. And he believes that what Mrs. Johnston told her on p. 35, Act 2, Scene 2, about bogeyman. This shows that he is nai ve and innocent. In conclusion, I can divide the influences on the lives of Mickey and Eddie in four main sections. The differences between Mickey and Eddie in the family, the social class they are, the education they have and the religion of the family. They are identical twins but they have got a very different life, I think it is because these things that I have mentioned before influenced them.

McDonalds Corporation Essay

McDonalds Corporation is the world’s number 1 fast food chain, Richard and Maurice McDonald started this business with a restaurant in San Bernardino California in 1940. Now a days McDonalds serves more than 56 million customers every day. There are more than 30,000 restaurants operated by McDonalds worldwide in which more than 80% are operated as a franchise and less than 20% are owned by company. McDonald’s main selling products are hamburgers, cheeseburgers, double cheeseburgers, big Mac burgers, quarter pond burgers, tasty burgers and mc flurry’s Company profile McDonalds is the words largest fast food corporation, serving more than 57 million people in 119 countries daily with more than 31,000 restaurants worldwide in which 6,899 are owned by company and 20,499 are operated as franchise and 3,960 are operated by affiliates.Andrew j. McKenna is the chairman of McDonalds Corporation since April 2004, Aprill Harrell Perrine president of blur cross and blue shield of Florida, Jim Dalton vice president of the Dalton agency, Ryan Schwartz the treasurer of Zurich insurances,inc. bill van zante the secretary of McDonalds.â€Å"The corporation revenues come from the rent, royalties and fees paid by franchises, McDonalds revenues grew 27% over 3 years ending in 2007 22.8 billion and 9% growth in operating income to 3.9 billion†. History of Mc. Donalds ‘I m Loving it’ is a tagline known to every segment of the market, from kids and youngsters to the elderly people. McDonalds is a global foodservice industry, which began its operations in the 1940’s. The concept of McDonalds was introduced by Dick and Maurice McDonald, by opening a ‘hamburger stall’ in San Bernardino, California. They introduced an idea of selling their food cheaper than competitors by persuading customers to go to a counter to order their food. This concept helped in faster turnaround of the customers. This innovation proved successful and popular among the customers. They focused on burger cooking as a production line. The staff of McDonalds were committed to one task at a time. When Mr. Ray Kroc came across a McDonalds burger, he had never seen so many people served so quickly. He was quite impressed by the speed of service that they used in catering their customers. Kroc suggested that open more outlets of their stall, but they refused as they were quite busy with their own store and were not in a position to open any other store. Kroc volunteered to run a new outlet himself, by paying them royalties for using their concept of business. The McDonald brothers agreed and a new McDonalds retail outlet was opened, which was a franchisee. Kroc was a person with aggressive and risk taking attitude. He realized that small things were often valued more by customers than some of other things. He introduced a concept of Cleanliness in his store. He termed cleanliness not only a symbol of hygiene but it also showed its customers that the business cared about details. He started growing his business and started giving franchises to other people. With the help of Ted Turner, Kroc visioned that the key success of McDonald’s expansion was to offer franchises. The major domestic growth of McDonald’s in USA began in 1960’s, as there was a demand of cheap takeaway food. Through the franchise concept, McDonald’s made a move toward worldwide success. Today the Company operates in more than 117 countries worldwide, serving more than 50 million customers per day. The company’s retail outlets are either owned by the company or by franchisees. The company focuses on delivering high quality and value to its customers through its services, product range and constant quality check of its products The Success Factors How did the chain grow from a single restaurant into the massive corporation it is today? There are three characteristics that stand out about the success of McDonald’s: consistency, innovation and resiliency. Consistency It doesn’t matter if you’re visiting a McDonald’s in South Africa or Zimbabwe, you’re going to have a similar experience wherever you are. This highlights Ray Kroc’s vision for McDonald’s from the beginning. â€Å"Quality, Service, Cleanliness and Value† was Kroc’s motto. His belief in this motto was so strong he went on to found a training school. Consistency, of course, is the key factor in any franchise Customers know what to expect and can take comfort in that knowledge when making a decision on where to eat. McDonald’s success came from customers expectations of producing food at a quick pace. Innovation You can tweak your product without causing disruptions, and potentially better serve your customers. Innovation comes from responsiveness to customers needs or wants. For example, in 1975 a group of potential McDonald’s customers had a problem: at that time, soldiers in a certain places weren’t allowed to get out of their cars while wearing their uniforms. After learning this problem, McDonald’s came up with a solution: add a drive-thru. Resiliency Many of the challenges McDonald’s has faced over the years are related to health concerns, particularly related to children. In response to these concerns, McDonald’s formed the Global Advisory Council (GAC) in 2004. The GAC is an international team of independent experts assembled by McDonald’s to provide us with professional guidance in the areas of nutrition and children’s well-being. In spite of these controversies, McDonald’s ranked in the top 10 overall, and number one in food services, in CNNMoney.com’s survey of the World’s Most Admired Companies for 2011. Mission & Values McDonald’s brand mission is to be the customers favourite place, way to eat and drink. Their worldwide operations are aligned around a global strategy called the Plan to Win, that centres on an amazing customer experience – People, Products, Place, Price and Promotion. They are committed to continuously improving their operations and enhancing their customers experience. McDonald’s Values †¢They place the customer experience at the core of all that they do. †¢They are committed to their people. †¢They believe in the McDonald’s System. †¢They operate their business ethically. †¢They give back to their communities. †¢They grow their business profitably. †¢They strive continually to improve. Sustainability From the start, they’ve been committed to doing the right thing. Their sustainability efforts ensure that their business practices and policies continue their rich heritage of making a positive impact on society. McDonald’s footprint is significant. So too are the opportunities and expectations. With approximately 1.8 million employees working for McDonald’s and over 5,000 franchisees, thousands of committed suppliers and the more than 69 million customers who visit us every single day in 119 countries, we can use our scale, scope and talent to make a positive difference in the world. Together for good.

Critique Of Twelfth Night - 1746 Words

Emma Rice revamps Shakespeare’s comedy Twelfth Night into a dazzling musical production, full of modern twists and references that encompass the original core of the play. In this eccentric production, comedy and music take center stage, supported by technical factors such as set, lighting, and sound, but brought to life by brilliant costuming, wondrous music, and the superb acting and singing abilities of the cast. Rice takes several liberties with the original structure and text of the play, manipulating roles and dialogue to fit the comedic understandings of a modern audience. While this removes some of playwright’s genius wit and style, it seemed necessary in order to relay the overall humor and mood of the play that would otherwise be†¦show more content†¦Other lighting aspects were crucial in providing context for a scene, such as the descent of the chandelier denoting Olivia’s home and the use of disco balls to indicate the production’s 70s era setting. The essence of this production, alongside the comedy, is its musicality, and Rice arranged the play into essentially a musical, backed by composer Ian Ross’ lovely soundtrack. The mishmash of classic 70s songs, Scottish jigs, and original tracks based on Shakespeare’s songs and words, performed by a kilt wearing band in the galley, left little doubt in the audience’s mind as to when and where the production was placed. The music accentuated the mood and emotion of every scene, from the hauntingly beautiful, but painful refrains during the shipwreck, to the exciting disco music of the parties, and the intense rock when Sir Toby and Maria beat their frustrations onto Sir Andrew and Malvolio. At one point, a marimba-ish sound played as Orsino described the feminine features of ‘Cesario’, and it’s repeated when Viola, as Cesario, regales in full emotion to Olivia how she would go about wooing the Lady. In both these instances, a character falls in love with another, Viola with Orsino and Olivia with Cesario. The parallel in music underscored the similarity of these scenes. While the production commanded a mastery in background music, it was the musical numbers and singing that drove the production forward, both in emotion andShow MoreRelatedCompare And Contrast Hamlet And Twelfth Night1162 Words   |  5 PagesFrom Hilarity to Tragedy in Shakespeare: How Hamlet and Twelfth Night Compare By Zawadi Bunzigiye William Shakespeare wrote plays covering the breadth of human experience. They seem to have transcended the restraints of age because of the universal themes that they contain. His body of his work is comprised of genres of plays varying from tragedies to comedies. Of them, Hamlet and Twelfth Night are perfect examples of both. A comparison between them would be of interest because their common pointsRead MoreThe Limitations Of Frye s Green World 1729 Words   |  7 PagesWhat are the limitations of Frye’s ‘Green World’ model as applied to ‘Twelfth Night’ by William Shakespeare? Twelfth Night was thought to be written in 1600-1. The play – known for adhering to a genre of romantic comedy by utilising pathos combined with humour – is listed under comedies in the First Folio of 1623 with another of Shakespeare’s works As You Like It. Twelfth Night adheres to Frye’s theory to some extent. The old world, one of repression, is conveyed through the puritanical beliefs ofRead MoreAnalysis Of The Article Twelfth Night 998 Words   |  4 PagesThe introduction of Twelfth Night, written by M.M. Mahood, provides a cultural setting for readers to better understand the play. Although Mahood wrote the introduction for Twelfth Night, the information also allows readers to appreciate the magical freedom that A Midsummer Night’s Dream encompasses. Mahood delves into the cultural significance of Puritanism early in the 17th century through the character of Malvolio. Although Twelfth Night is a comedy, the presence of morally strict Pur itanismRead MoreAnalysis Of The Twelfth Night 1651 Words   |  7 Pagesworld. To realise the relative nature of all that exists, and to enter a completely new order of things† To what extent do you feel that the â€Å"carnivalesque† conventions of comedy convey a meaningful challenge to the existing order of things? The Twelfth Night perhaps manifests around the continuous abolishment of social norms and traditional customs. The events that take place within the play are intertwined with typical connotations that surround abnormality and could possibly support the entry toRead MoreOthello, By William Shakespeare1543 Words   |  7 Pagessat abaft a screen pretending to be the antithesis sex, or just someone innominate in order to get our true feelings and emotions out. Similarly, Shakespeare utilizes the theme of disguise in countless plays, specifically in As you like it and Twelfth Night. Although many may postulate that he has disguised certain characters as the opposite gender solely for comedic purposes, the reason behind it is significantly deeper and complex. By disguising the actors as the opposite gender, also known as cross-dressingRead MoreWit and Humor in Shakespeares Twelfth Night1997 Words   |  8 PagesTwelfth Night by William Shakespeare is a romantic comedy set in Illyria dur ing the Christmas season. The article analysis is a critique on the elements of folly and foolery in Shakespeare’s twelfth night. As defined in the critique, a fool can be â€Å"a silly or foolish person† or â€Å"one who professionally counterfeits folly for the entertainment of others, a jester, a clown†. In the analysis of the subject in twelfth night, the writer highlights that although Feste is the only professional fool in theRead More European Colonization in Shakespeares The Tempest Essay1279 Words   |  6 PagesNo Critique of European Colonization in The Tempest      Since the 1960s, several critics have found a critique of colonialism in their respective readings of Shakespeares The Tempest. The most radical of these analyses takes Prospero to be a European invader of the magical but primitive land that he comes to rule, using his superior knowledge to enslave its original inhabitants, most notably Caliban, and forcing them to do his bidding. While the textual clues concerning the geographic locationRead MoreRelationships Between 5 After School Activities And Academic Achievement Essay776 Words   |  4 Pages Mid Semester Article Review And Critique â€Å"Relationships Between 5 After-School Activities and Academic Achievement† Psych 103 Prof. Cornelia Rea October 22, 2016 Logan Roberts The article â€Å"Relationships Between Five After-School Activities and Academic Achievement† by Harris Cooper, Jeffery C. Valentine, James Lindsay, and Barbara Nye, was published in the Journal of Educational Psychology in 1999, and it delves into how various after-school activities impact academic performance.Read MoreEssay on The Fool as a Playwright in Twelfth Night2852 Words   |  12 Pages   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Feste, the fool character in Twelfth Night, in many ways represents a playwright figure, and embodies the reach and tools of the theater. He criticizes, manipulates and entertains the other characters while causing them to reflect on their life situations, which is similar to the way a playwright such as Shakespeare interacts with his audience. Furthermore, more so than the other characters in the play he accomplishes this in a highly performative way, involving song and clever wordplayRead MoreFences : Fences By August Wilson1541 Words   |  7 PagesPittsburgh, Pennsylvania. Here, Troy and others of his generation fled from conditions of the south and came to Pittsburgh to escape the Jim Crow laws, during the early years of the African-American Civil Rights Movement. Analytical A. Wilson critiques how money in American society is more important than individuality through how making money is always prioritized over everything else 1. Wilson uses a pattern of dissatisfaction that Troy displays to his children upon hearing the career of a musician

Globalization In Turkey Essay - 2165 Words

Globalization is the concept through which regional markets join in using a universal network to improve governmental ideas via communication, transport and trade. The concept is closely related to that of economic globalization which integrates national economies into the international economy. Such integration is achieved by trade, foreign direct investment, capital flows, and migration. Bhagwati (2004) observes that at a higher level it can incorporate the spread of technology and military presence. The ideology bears its continuity to economic, technological, socio-cultural, political and biological factors to a larger extent as Sheila (2004) points it out. As a term it was first presented by Pastor Taze Russell, in what he termed as†¦show more content†¦2009). It has been accredited as Stiglitz (2006) points out, for its characteristic of sponsoring interdependence of market systems globally. The model has had a great impact in the industrial sector in the world, Turkey included. This is because it has intensified access of foreign products due to its ability of generating worldwide production markets. This is boosted as globalization enables freer movement of products across national borders. The Times online, on February 10, 2008 noted that international trade in manufactured goods had risen to well over 100 times in the last 50 years. Safe for the industrial sector, globalization also has an impact in Turkey’s financial sector. This is because it has opened it up to global financial markets. This factor has also enabled the country to better access to external financing for borrowers, evidenced by the huge borrowings in support of expanded levels of trade and investment that has characterized the early part of the 21st century. However, the said scenario has its shortcomings. As witnessed in the 2007-2010 Financial crises, the crisis to which Turkey was part of was triggered by the outgrowth of worldwide structures against transnational regulatory regimes a leading to a global financial instability. Economically, globalization has assisted in the realization of a global common market. TurkeyShow MoreRelatedGlobalization - Turkey1743 Words   |  7 PagesGlobalization: the Turkey case II)Introduction The term globalization has a strong emotional charge. Some see globalization as a beneficial process - which will contribute decisively to global economic development - inevitable and irreversible. Others are hostile to this process, if not fear, believing that it increases inequality within and between nations, threatens employment and living standards and thwarts social progress. The objective of this study, which is an overview of certainRead MoreThe Effects of Globalization in Turkey1009 Words   |  4 PagesTurkey Culture People all over the world are seeing and feeling the effects of globalization in their day to day lives. Rapid development in technology and high speed communication has made the technology change harder for some developing countries to cope with. Turkey is one of the many countries that is taking this change the hardest, especially in the last 20 years, as a result of mayhem they have been enduring. Turkey has been experiencing all of this instability more severely than any otherRead MoreThe Economic Impact of Globalization on Turkey6421 Words   |  26 PagesIntroduction Globalization has affected the world in many different ways, including cultural exchange, language development, and information diffusion, along with worldwide economic and financial growth. Here we wish to analyse the costs and benefits of globalisation to the Republic of Turkey. More specifically, we will look at the economic and business impacts globalisation has made on Turkey and its current position with regard to the world economy. Current Economic Situation Today’s economicRead MoreThe Economic Impact of Globalization on Turkey6413 Words   |  26 PagesIntroduction Globalization has affected the world in many different ways, including cultural exchange, language development, and information diffusion, along with worldwide economic and financial growth. Here we wish to analyse the costs and benefits of globalisation to the Republic of Turkey. More specifically, we will look at the economic and business impacts globalisation has made on Turkey and its current position with regard to the world economy. Current Economic Situation Today’s economicRead More Global Opportunities for Turkey Essay1583 Words   |  7 PagesOpportunities for Turkey The world is becoming much more connected, especially in the last few decades. The idea of being free individuals has become more important, as well as free market economies. Some ideologies have collapsed because of their antiquated offers about the political situations, yet some of them are ruling the world in the last hundred years. But if there is something certain about the whole world, it is that globalization is affecting and changing it. Turkey is located at theRead MoreGlobalisation and International Integration1209 Words   |  5 Pagesfor centuries; although the process has developed at a faster pace since the beginning of the 20th century. For the purpose of this essay, I will be assessing how the process of globalisation has affected tourism, with particular focus on tourism in Turkey. Tourism is believed to have originated in the UK, as a result of the Industrial Revolution. The concept of travel as a way of spending one’s leisure time was promoted primarily to factory owners and traders, also referred to as the new middle classRead MoreVenezuelan Crisis: Grounds for Revolution? Essay1515 Words   |  7 Pagesresult of globalization through media and communications. In the same way, globalization is not just about economic relationships or trade. When studying a nation’s political culture, it is important to take a look at how globalization has impacted it. Globalization is broader than one topic; it is the development of our world as a result of interdependence and communication. Globalization is propelled greatly by the economy, especially by free trade and the free flow of capital. Globalization is theRead MoreAnalysis Of Saskia Sassen, A Leading Globalization Scholar1660 Words   |  7 Pagescontemporary globalization, it is crucial for an indi vidual to examine how the historical assemblages of authority, territory and right have been remade and reworked on. (Sassen, 2006) The ideas of Saskia Sassen, a leading globalization scholar, are helpful in the analysis of the debate about the movement of refugees in the wake of the Paris attacks. Saskia stipulates that something really big is happening behind globalization. (Sassen, 2006) She is interested at the point where globalization gets messyRead MoreEssay about Teachers in Syria1399 Words   |  6 PagesSyrians have registered as refugees, but they estimate that there are, in fact many more unregistered Syrian refugees escaping through the Iraq border. Globalization and its negative implications for Syria Globalization has had negative implications for the nation of Syria. As cultural norms throughout the world become more diffused, globalization has resulted in a great deal of change in the world’s complex evolution of â€Å"systems, ideas and structures† (Stetter, 2012, p. 7) within the Middle EastRead MoreThe Impact Of International Trade On The Development Of New Technology1494 Words   |  6 Pagesled to an increase in linkages and the integration of national economies which expanded into international markets. Some say that the term globalization suggests making use of business opportunities, improving trade efficiency, rapid growth and innovation as well as the transfer of such knowledge to developing countries. Others believe however that globalization raises problems such as increased inequality both between and within countries. (Todaro 2010). Developing countries have practised a number